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Peter Handke: Inhabiting the world togetherĢ0. debbie tucker green and Alice Birch: ‘Angry feminists’ on the European stageġ9. Biljana Srbljanovic´ and Ivana Sajko: Voice in the place of silenceġ8.

Emma Dante and Fausto Paravidino: Families, national identity, and international audiencesġ7. Lena Kitsopoulou and Yannis Mavritsakis: Greek theatre at the antipodes of crisisġ6. Yasmina Reza and Florian Zeller: The art of successġ5. Enda Walsh and Martin McDonagh: Reimagining Irish theatreġ4. Ivan Vyrypaev and Natalia Vorozhbyt: Language, memory, and cultural mythology in Russian and Ukrainian new dramaġ3. Jordi Galceran and Juan Mayorga: Unravelling the present, narrativising the pastġ2. Paweł Demirski and Dorota Masłowska: Painful pasts, transformative presentsġ1. Vasilii Sigarev and the Presniakov Brothers: Staging the newġ0. Sarah Kane and Mark Ravenhill: The ‘blood and sperm’ generationĩ. Marius von Mayenburg and Roland Schimmelpfennig: Dissecting European lives under global capitalismĨ. Martin Crimp and Simon Stephens: British playwrights as European playwrightsħ. Lars Norén and Jon Fosse: Nordic grey or theatre innovators?Ħ.

András Visky and Matéi Visniec: Challenging boundaries of cultural specificityĥ. Weronika Szczawin´ska and Agnieszka Jakimiak: Dramaturg as a figure of transitionĤ. Elfriede Jelinek and Werner Schwab: Heimat critique and dissections of right-wing populism and xenophobiaģ. European playwriting and politics, 1945–89Ģ.

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